Mindful Materialism
HOME is the first issue to launch in a series of three themed issues focusing on spaces integral to the contemporary crafts field: the home, the garden and the studio. Three often connected spaces that allow for a thorough investigation into the ways crafts and making permeate our daily lives. HOME is edited by Charlotte Jul and Ida Marie Nissen. Their vision of home is about creativity, intentionality and personality. Here, home is presented as a private world that can sustain creation and adapt alongside its inhabitants.
In this issue of The Vessel, you will meet individuals who welcome you into their homes, or show you the objects or surroundings that evoke their sense of home. The articles in this issue present different perspectives on the concept of home through memories, furniture, record collections, art, and landscapes that, to them, induce that profound sense of belonging.
A home is more than just four walls and a roof. It holds memories and can, ideally, foster a profound sense of belonging. Today, the concept of home is complex, as climate considerations and flexible functionality have become increasingly important. In this article, Marie-Louise Høstbo looks to the future and asks: what does this new vision of home look like?
At Home with Elisa Helland-Hansen
Ceramicist Elisa Helland-Hansen lives and works on the same plot of land in Rosendal, southeast of Bergen, Norway. Her home and workshop epitomise safety, openness, and creativity, offering an impressive view of the fjord. Here, she creates her distinctive functional ceramics, which have garnered fans worldwide. In this interview by co-editor Charlotte Jul, we meet Elisa Helland-Hansen at home.
Why Objects Make a Home
In this article by Cecilie Tyri Holt we are invited to examine the relationship between the things we own, and the feeling of home. From old LP records to Gustav Vigeland’s candlesticks, Tyri Holt makes the case for emotional maximalism.
Ine Vik is an Oslo-based ceramicist working with local clay, found or foraged materials and wood-firing. The resulting work is alluring in its simplicity. Co-editor Charlotte Jul reached out to Ine Vik to ask her a few questions about her practice, and her love for what some people call “old man’s ceramics”.